Getting UnStuck - Story Structure Guiding The PathIt quite common, especially for Pantsers (those who write by the seat of their pants with no real outline or plan ahead of time), to get stuck in your story. At some point, we hit a roadblock, writer's block, and can't think of what the story should be next.
Story Structure Clues
This is, in part, because we don't start with the outline that the stricture Outliners do. We can't even comprehend where the story will be going in order to outline.
However, if we have an idea of the path (the skeleton of the structure), we can start to see a way through the hazy fog of the future. But even then, we can get stuck like I did last night.
I'd written my way through and just couldn't imagine what needed to happen next. I know where the next major plot point is going to be and what (generally) will happen (Destiny is caught by the FBI but Ash escapes). But it's way to early to write that in the story timeline. If I write it now, it'll be out of left field. Nothing has progressed and it's just too early.
Scene Structure Clues
Then, I had to go back and look at my scenes. Every scene is a natural reaction to the one before it. The reaction becomes the action the next reacts to.
Even the very first/opening scene of the book is simply a reaction to events that took place before the reader arrived.
So I had to go back and re-read the scene that preceded to see what the natural reaction would be.
Pro Note: Bill Myers said that his routine is to start by editing whatever he wrote at the last writing session, then start the new writing. This allows you to become aware of the action and set up the reaction.
Up until this point, every reaction flowed effortlessly. I just saw the movie in my head and wrote it. This time, I just didn't see anything. Then two things happened.
#1. Questions: I asked questions about the previous scene and made notes of things to address.
Small example, but, if Ash said he was hungry going to bed in the next scene doesn't make sense unless we address that. Did he go to bed hungry, did he eat? Maybe that drives the action to a kitchen or even out of the house to a restaurant?
My questions/items to address from the previous scene:
- What did Chester read that’s not good?
- How do they react to a moment of closeness?
- Ash is Hungry
- He’s in the file so he wants to see it himself.
- He finds Eta in there, side note.
- What else? What in there moves them forward?
So I'm starting the next scene with ONE simple reaction to the previous scene. One sentence. That will drive the next and the next until the movie reel starts to play.
“What’s not good?” Destiny sat a little straighter and leaned forward.
This also reminded me that I have to Point of Views (POVs) running. The Blue and Light Blue scenes are both Ash (awake vs dreaming). I did light blue for his dreams so I could read just those and make sure there's a progressive revelation in the dreams.
The Red scenes are those that follow along inside the head of Dr. Briar. If I go back and read the last red scene, I can then "react" to that scene. This turned out to be a gold mine, because it set up some information that will eventually lead to Destiny's capture. I didn't know how it would happen before last night, and I now have a clue.
I did re-order the scenes this morning. I wrote Dr. Briar's reaction scene, but it takes place the next morning. Ash's reaction scene is still taking place last night. So I just need to swap the order and put Ash's scene on top of Dr. Briar's so that I don't get my days/times out of order and confuse the reader.
Now I can go back and start with my opening sentence (Detiny's reaction) and see where Ash's scene goes to finish out his turbulent day.
Storyteller | Writer | Thinker | Consultant | Multipotentialite
The. End........ Not.